More swing doors open into pigeon-holes where judges of the First Appeal sit singly, and halls of audience where the supreme Lords sit by three or four. Here, you may see Scott's place within the bar, where he wrote many a page of Waverley novels to the drone of judicial proceeding. You will hear a good deal of shrewdness, and, as their Lordships do not altogether disdain pleasantry, a fair proportion of dry fun. The broadest of broad Scotch is now banished from the bench; but the courts still retain a certain national flavour. We have a solemn enjoyable way of lingering on a case. We treat law as a fine art, and relish and digest a good distinction. There is no hurry: point after point must be rightly examined and reduced to principle; judge after judge must utter forth his OBITER DICTA to delighted brethren.

Besides the courts, there are installed under the same roof no less than three libraries: two of no mean order; confused and semi-subterranean, full of stairs and galleries; where you may see the most studious-looking wigs fishing out novels by lanthorn light, in the very place where the old Privy Council tortured Covenanters. As the Parliament House is built upon a slope, although it presents only one story to the north, it measures half-a-dozen at least upon the south; and range after range of vaults extend below the libraries. Few places are more characteristic of this hilly capital. You descend one stone stair after another, and wander, by the flicker of a match, in a labyrinth of stone cellars. Now, you pass below the Outer Hall and hear overhead, brisk but ghostly, the interminable pattering of legal feet. Now, you come upon a strong door with a wicket: on the other side are the cells of the police office and the trap-stair that gives admittance to the dock in the Justiciary Court. Many a foot that has gone up there lightly enough, has been dead-heavy in the descent. Many a man's life has been argued away from him during long hours in the court above. But just now that tragic stage is empty and silent like a church on a week-day, with the bench all sheeted up and nothing moving but the sunbeams on the wall. A little farther and you strike upon a room, not empty like the rest, but crowded with PRODUCTIONS from bygone criminal cases: a grim lumber: lethal weapons, poisoned organs in a jar, a door with a shot-hole through the panel, behind which a man fell dead. I cannot fancy why they should preserve them unless it were against the Judgment Day. At length, as you continue to descend, you see a peep of yellow gaslight and hear a jostling, whispering noise ahead; next moment you turn a corner, and there, in a whitewashed passage, is a machinery belt industriously turning on its wheels. You would think the engine had grown there of its own accord, like a cellar fungus, and would soon spin itself out and fill the vaults from end to end with its mysterious labours. In truth, it is only some gear of the steam ventilator; and you will find the engineers at hand, and may step out of their door into the sunlight. For all this while, you have not been descending towards the earth's centre, but only to the bottom of the hill and the foundations of the Parliament House; low down, to be sure, but still under the open heaven and in a field of grass. The daylight shines garishly on the back windows of the Irish quarter; on broken shutters, wry gables, old palsied houses on the brink of ruin, a crumbling human pig-sty fit for human pigs. There are few signs of life, besides a scanty washing or a face at a window: the dwellers are abroad, but they will return at night and stagger to their pallets.

CHAPTER IV. LEGENDS.

THE character of a place is often most perfectly expressed in its associations. An event strikes root and grows into a legend, when it has happened amongst congenial surroundings. Ugly actions, above all in ugly places, have the true romantic quality, and become an undying property of their scene. To a man like Scott, the different appearances of nature seemed each to contain its own legend ready made, which it was his to call forth: in such or such a place, only such or such events ought with propriety to happen; and in this spirit he made the LADY OF THE LAKE for Ben Venue, the HEART OF MIDLOTHIAN for Edinburgh, and the PIRATE, so indifferently written but so romantically conceived, for the desolate islands and roaring tideways of the North. The common run of mankind have, from generation to generation, an instinct almost as delicate as that of Scott; but where he created new things, they only forget what is unsuitable among the old; and by survival of the fittest, a body of tradition becomes a work of art.

Edingburgh Picturesque Notes Page 10

Robert Louis Stevenson

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