(1)

(1) Works, i. 246.

And now, looking back, it cannot be said that Knox's intercourse with women was quite of the highest sort. It is characteristic that we find him more alarmed for his own reputation than for the reputation of the women with whom he was familiar. There was a fatal preponderance of self in all his intimacies: many women came to learn from him, but he never condescended to become a learner in his turn. And so there is not anything idyllic in these intimacies of his; and they were never so renovating to his spirit as they might have been. But I believe they were good enough for the women. I fancy the women knew what they were about when so many of them followed after Knox. It is not simply because a man is always fully persuaded that he knows the right from the wrong and sees his way plainly through the maze of life, great qualities as these are, that people will love and follow him, and write him letters full of their "earnest desire for him" when he is absent. It is not over a man, whose one characteristic is grim fixity of purpose, that the hearts of women are "incensed and kindled with a special care," as it were over their natural children. In the strong quiet patience of all his letters to the weariful Mrs. Bowes, we may perhaps see one cause of the fascination he possessed for these religious women. Here was one whom you could besiege all the year round with inconsistent scruples and complaints; you might write to him on Thursday that you were so elated it was plain the devil was deceiving you, and again on Friday that you were so depressed it was plain God had cast you off for ever; and he would read all this patiently and sympathetically, and give you an answer in the most reassuring polysyllables, and all divided into heads - who knows? - like a treatise on divinity. And then, those easy tears of his. There are some women who like to see men crying; and here was this great-voiced, bearded man of God, who might be seen beating the solid pulpit every Sunday, and casting abroad his clamorous denunciations to the terror of all, and who on the Monday would sit in their parlours by the hour, and weep with them over their manifold trials and temptations. Nowadays, he would have to drink a dish of tea with all these penitents. . . . It sounds a little vulgar, as the past will do, if we look into it too closely. We could not let these great folk of old into our drawing-rooms. Queen Elizabeth would positively not be eligible for a housemaid. The old manners and the old customs go sinking from grade to grade, until, if some mighty emperor revisited the glimpses of the moon, he would not find any one of his way of thinking, any one he could strike hands with and talk to freely and without offence, save perhaps the porter at the end of the street, or the fellow with his elbows out who loafs all day before the public-house. So that this little note of vulgarity is not a thing to be dwelt upon; it is to be put away from us, as we recall the fashion of these old intimacies; so that we may only remember Knox as one who was very long-suffering with women, kind to them in his own way, loving them in his own way - and that not the worst way, if it was not the best - and once at least, if not twice, moved to his heart of hearts by a woman, and giving expression to the yearning he had for her society in words that none of us need be ashamed to borrow.

And let us bear in mind always that the period I have gone over in this essay begins when the Reformer was already beyond the middle age, and already broken in bodily health: it has been the story of an old man's friendships. This it is that makes Knox enviable. Unknown until past forty, he had then before him five-and-thirty years of splendid and influential life, passed through uncommon hardships to an uncommon degree of power, lived in his own country as a sort of king, and did what he would with the sound of his voice out of the pulpit. And besides all this, such a following of faithful women! One would take the first forty years gladly, if one could be sure of the last thirty.

Robert Louis Stevenson
Classic Literature Library

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