CHAPTER IV - HENRY DAVID THOREAU: HIS CHARACTER AND OPINIONS

I.

THOREAU'S thin, penetrating, big-nosed face, even in a bad woodcut, conveys some hint of the limitations of his mind and character. With his almost acid sharpness of insight, with his almost animal dexterity in act, there went none of that large, unconscious geniality of the world's heroes. He was not easy, not ample, not urbane, not even kind; his enjoyment was hardly smiling, or the smile was not broad enough to be convincing; he had no waste lands nor kitchen-midden in his nature, but was all improved and sharpened to a point. "He was bred to no profession," says Emerson; "he never married; he lived alone; he never went to church; he never voted; he refused to pay a tax to the State; he ate no flesh, he drank no wine, he never knew the use of tobacco and, though a naturalist, he used neither trap nor gun. When asked at dinner what dish he preferred, he answered, `the nearest.'" So many negative superiorities begin to smack a little of the prig. From his later works he was in the habit of cutting out the humorous passages, under the impression that they were beneath the dignity of his moral muse; and there we see the prig stand public and confessed. It was "much easier," says Emerson acutely, much easier for Thoreau to say NO than YES; and that is a characteristic which depicts the man. It is a useful accomplishment to be able to say NO, but surely it is the essence of amiability to prefer to say YES where it is possible. There is something wanting in the man who does not hate himself whenever he is constrained to say no. And there was a great deal wanting in this born dissenter. He was almost shockingly devoid of weaknesses; he had not enough of them to be truly polar with humanity; whether you call him demi-god or demi-man, he was at least not altogether one of us, for he was not touched with a feeling of our infirmities. The world's heroes have room for all positive qualities, even those which are disreputable, in the capacious theatre of their dispositions. Such can live many lives; while a Thoreau can live but one, and that only with perpetual foresight.

He was no ascetic, rather an Epicurean of the nobler sort; and he had this one great merit, that he succeeded so far as to be happy. "I love my fate to the core and rind," he wrote once; and even while he lay dying, here is what he dictated (for it seems he was already too feeble to control the pen): "You ask particularly after my health. I SUPPOSE that I have not many months to live, but of course know nothing about it. I may say that I am enjoying existence as much as ever, and regret nothing." It is not given to all to bear so clear a testimony to the sweetness of their fate, nor to any without courage and wisdom; for this world in itself is but a painful and uneasy place of residence, and lasting happiness, at least to the self-conscious, comes only from within. Now Thoreau's content and ecstasy in living was, we may say, like a plant that he had watered and tended with womanish solicitude; for there is apt to be something unmanly, something almost dastardly, in a life that does not move with dash and freedom, and that fears the bracing contact of the world. In one word, Thoreau was a skulker. He did not wish virtue to go out of him among his fellow-men, but slunk into a corner to hoard it for himself. He left all for the sake of certain virtuous self-indulgences. It is true that his tastes were noble; that his ruling passion was to keep himself unspotted from the world; and that his luxuries were all of the same healthy order as cold tubs and early rising. But a man may be both coldly cruel in the pursuit of goodness, and morbid even in the pursuit of health. I cannot lay my hands on the passage in which he explains his abstinence from tea and coffee, but I am sure I have the meaning correctly. It is this; He thought it bad economy and worthy of no true virtuoso to spoil the natural rapture of the morning with such muddy stimulants; let him but see the sun rise, and he was already sufficiently inspirited for the labours of the day.

Robert Louis Stevenson
Classic Literature Library

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