The umbrella has become the acknowledged index of social position.
Robinson Crusoe presents us with a touching instance of the hankering after them inherent in the civilised and educated mind. To the superficial, the hot suns of Juan Fernandez may sufficiently account for his quaint choice of a luxury; but surely one who had borne the hard labour of a seaman under the tropics for all these years could have supported an excursion after goats or a peaceful CONSTITUTIONAL arm in arm with the nude Friday. No, it was not this: the memory of a vanished respectability called for some outward manifestation, and the result was--an umbrella. A pious castaway might have rigged up a belfry and solaced his Sunday mornings with the mimicry of church-bells; but Crusoe was rather a moralist than a pietist, and his leaf-umbrella is as fine an example of the civilised mind striving to express itself under adverse circumstances as we have ever met with.
It is not for nothing, either, that the umbrella has become the very foremost badge of modern civilisation--the Urim and Thummim of respectability. Its pregnant symbolism has taken its rise in the most natural manner. Consider, for a moment, when umbrellas were first introduced into this country, what manner of men would use them, and what class would adhere to the useless but ornamental cane. The first, without doubt, would be the hypochondriacal, out of solicitude for their health, or the frugal, out of care for their raiment; the second, it is equally plain, would include the fop, the fool, and the Bobadil. Any one acquainted with the growth of Society, and knowing out of what small seeds of cause are produced great revolutions, and wholly new conditions of intercourse, sees from this simple thought how the carriage of an umbrella came to indicate frugality, judicious regard for bodily welfare, and scorn for mere outward adornment, and, in one word, all those homely and solid virtues implied in the term RESPECTABILITY. Not that the umbrella's costliness has nothing to do with its great influence. Its possession, besides symbolising (as we have already indicated) the change from wild Esau to plain Jacob dwelling in tents, implies a certain comfortable provision of fortune. It is not every one that can expose twenty-six shillings' worth of property to so many chances of loss and theft. So strongly do we feel on this point, indeed, that we are almost inclined to consider all who possess really well-conditioned umbrellas as worthy of the Franchise. They have a qualification standing in their lobbies; they carry a sufficient stake in the common-weal below their arm. One who bears with him an umbrella-- such a complicated structure of whalebone, of silk, and of cane, that it becomes a very microcosm of modern industry--is necessarily a man of peace. A half-crown cane may be applied to an offender's head on a very moderate provocation; but a six-and-twenty shilling silk is a possession too precious to be adventured in the shock of war.
These are but a few glances at how umbrellas (in the general) came to their present high estate. But the true Umbrella-Philosopher meets with far stranger applications as he goes about the streets.
Umbrellas, like faces, acquire a certain sympathy with the individual who carries them: indeed, they are far more capable of betraying his trust; for whereas a face is given to us so far ready made, and all our power over it is in frowning, and laughing, and grimacing, during the first three or four decades of life, each umbrella is selected from a whole shopful, as being most consonant to the purchaser's disposition. An undoubted power of diagnosis rests with the practised Umbrella-Philosopher. O you who lisp, and amble, and change the fashion of your countenances--you who conceal all these, how little do you think that you left a proof of your weakness in our umbrella-stand--that even now, as you shake out the folds to meet the thickening snow, we read in its ivory handle the outward and visible sign of your snobbery, or from the exposed gingham of its cover detect, through coat and waistcoat, the hidden hypocrisy of the 'DICKEY'! But alas! even the umbrella is no certain criterion.