The silence was broken by the church bell; it rang the four quarters on a light and tinkling measure; then followed a single deep stroke that died slowly away with a thrill; and stillness resumed its empire.
"One," said Leon. "Four hours till daylight. It is warm; it is starry; I have matches and tobacco. Do not let us exaggerate, Elvira - the experience is positively charming. I feel a glow within me; I am born again. This is the poetry of life. Think of Cooper's novels, my dear."
"Leon," she said fiercely, "how can you talk such wicked, infamous nonsense? To pass all night out-of-doors - it is like a nightmare! We shall die."
"You suffer yourself to be led away," he replied soothingly. "It is not unpleasant here; only you brood. Come, now, let us repeat a scene. Shall we try Alceste and Celimene? No? Or a passage from the 'Two Orphans'? Come, now, it will occupy your mind; I will play up to you as I never have played before; I feel art moving in my bones."
"Hold your tongue," she cried, "or you will drive me mad! Will nothing solemnise you - not even this hideous situation?"
"Oh, hideous!" objected Leon. "Hideous is not the word. Why, where would you be? 'Dites, la jeune belle, ou voulez-vous aller?'" he carolled. "Well, now," he went on, opening the guitar- case, "there's another idea for you - sing. Sing 'Dites, la jeune belle!' It will compose your spirits, Elvira, I am sure."
And without waiting an answer he began to strum the symphony. The first chords awoke a young man who was lying asleep upon a neighbouring bench.
"Hullo!" cried the young man, "who are you?"
"Under which king, Bezonian?" declaimed the artist. "Speak or die!"
Or if it was not exactly that, it was something to much the same purpose from a French tragedy.
The young man drew near in the twilight. He was a tall, powerful, gentlemanly fellow, with a somewhat puffy face, dressed in a grey tweed suit, with a deer-stalker hat of the same material; and as he now came forward he carried a knapsack slung upon one arm.
"Are you camping out here too?" he asked, with a strong English accent. "I'm not sorry for company."
Leon explained their misadventure; and the other told them that he was a Cambridge undergraduate on a walking tour, that he had run short of money, could no longer pay for his night's lodging, had already been camping out for two nights, and feared he should require to continue the same manoeuvre for at least two nights more.
"Luckily, it's jolly weather," he concluded.
"You hear that, Elvira," said Leon. "Madame Berthelini," he went on, "is ridiculously affected by this trifling occurrence. For my part, I find it romantic and far from uncomfortable; or at least," he added, shifting on the stone bench, "not quite so uncomfortable as might have been expected. But pray be seated."
"Yes," returned the undergraduate, sitting down, "it's rather nice than otherwise when once you're used to it; only it's devilish difficult to get washed. I like the fresh air and these stars and things."
"Aha!" said Leon, "Monsieur is an artist."
"An artist?" returned the other, with a blank stare. "Not if I know it!"
"Pardon me," said the actor. "What you said this moment about the orbs of heaven - "
"Oh, nonsense!" cried the Englishman. "A fellow may admire the stars and be anything he likes."
"You have an artist's nature, however, Mr.- I beg your pardon; may I, without indiscretion, inquire your name?" asked Leon.
"My name is Stubbs," replied the Englishman.
"I thank you," returned Leon. "Mine is Berthelini - Leon Berthelini, ex-artist of the theatres of Montrouge, Belleville, and Montmartre. Humble as you see me, I have created with applause more than one important ROLE. The Press were unanimous in praise of my Howling Devil of the Mountains, in the piece of the same name. Madame, whom I now present to you, is herself an artist, and I must not omit to state, a better artist than her husband. She also is a creator; she created nearly twenty successful songs at one of the principal Parisian music-halls.