"I see no use in pretending. Before we came in here we heard sounds indicating - if I may so express myself - an imperfect harmony."

"Sir - " began the man.

But the woman was beforehand.

"It is quite true," she said. "I see no cause to be ashamed. If my husband is mad I shall at least do my utmost to prevent the consequences. Picture to yourself, Monsieur and Madame," she went on, for she passed Stubbs over, "that this wretched person - a dauber, an incompetent, not fit to be a sign-painter - receives this morning an admirable offer from an uncle - an uncle of my own, my mother's brother, and tenderly beloved - of a clerkship with nearly a hundred and fifty pounds a year, and that he - picture to yourself! - he refuses it! Why? For the sake of Art, he says. Look at his art, I say - look at it! Is it fit to be seen? Ask him - is it fit to be sold? And it is for this, Monsieur and Madame, that he condemns me to the most deplorable existence, without luxuries, without comforts, in a vile suburb of a country town. O non!" she cried, "non - je ne me tairai pas - c'est plus fort que moi! I take these gentlemen and this lady for judges - is this kind? is it decent? is it manly? Do I not deserve better at his hands after having married him and" - (a visible hitch) - "done everything in the world to please him."

I doubt if there were ever a more embarrassed company at a table; every one looked like a fool; and the husband like the biggest.

"The art of Monsieur, however," said Elvira, breaking the silence, "is not wanting in distinction."

"It has this distinction," said the wife, "that nobody will buy it."

"I should have supposed a clerkship - " began Stubbs.

"Art is Art," swept in Leon. "I salute Art. It is the beautiful, the divine; it is the spirit of the world, and the pride of life. But - " And the actor paused.

"A clerkship - " began Stubbs.

"I'll tell you what it is," said the painter. "I am an artist, and as this gentleman says, Art is this and the other; but of course, if my wife is going to make my life a piece of perdition all day long, I prefer to go and drown myself out of hand."

"Go!" said his wife. "I should like to see you!"

"I was going to say," resumed Stubbs, "that a fellow may be a clerk and paint almost as much as he likes. I know a fellow in a bank who makes capital water-colour sketches; he even sold one for seven-and-six."

To both the women this seemed a plank of safety; each hopefully interrogated the countenance of her lord; even Elvira, an artist herself! - but indeed there must be something permanently mercantile in the female nature. The two men exchanged a glance; it was tragic; not otherwise might two philosophers salute, as at the end of a laborious life each recognised that he was still a mystery to his disciples.

Leon arose.

"Art is Art," he repeated sadly. "It is not water-colour sketches, nor practising on a piano. It is a life to be lived."

"And in the meantime people starve!" observed the woman of the house. "If that's a life, it is not one for me."

"I'll tell you what," burst forth Leon; "you, Madame, go into another room and talk it over with my wife; and I'll stay here and talk it over with your husband. It may come to nothing, but let's try."

"I am very willing," replied the young woman; and she proceeded to light a candle. "This way if you please." And she led Elvira upstairs into a bedroom. "The fact is," said she, sitting down, "that my husband cannot paint."

"No more can mine act," replied Elvira.

"I should have thought he could," returned the other; "he seems clever."

"He is so, and the best of men besides," said Elvira; "but he cannot act."

"At least he is not a sheer humbug like mine; he can at least sing."

"You mistake Leon," returned his wife warmly. "He does not even pretend to sing; he has too fine a taste; he does so for a living. And, believe me, neither of the men are humbugs. They are people with a mission - which they cannot carry out."

"Humbug or not," replied the other, "you came very near passing the night in the fields; and, for my part, I live in terror of starvation.

Robert Louis Stevenson
Classic Literature Library

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