I own with pleasure I prefer him with all his folly, rot, sentiment, and mixed metaphors, to the whole modern school in France. It makes me laugh when it's nonsense; and when he gets an effect (though it's still nonsense and mere Poery, not poesy) it wakens me. CE QUI NE MEURT PAS nearly killed me with laughing, and left me - well, it left me very nearly admiring the old ass. At least, it's the kind of thing one feels one couldn't do. The dreadful moonlight, when they all three sit silent in the room - by George, sir, it's imagined - and the brief scene between the husband and wife is all there. QUANT AU FOND, the whole thing, of course, is a fever dream, and worthy of eternal laughter. Had the young man broken stones, and the two women been hard-working honest prostitutes, there had been an end of the whole immoral and baseless business: you could at least have respected them in that case.

I also read PETRONIUS ARBITER, which is a rum work, not so immoral as most modern works, but singularly silly. I tackled some Tacitus too. I got them with a dreadful French crib on the same page with the text, which helps me along and drives me mad. The French do not even try to translate. They try to be much more classical than the classics, with astounding results of barrenness and tedium. Tacitus, I fear, was too solid for me. I liked the war part; but the dreary intriguing at Rome was too much.

R. L. S.

Letter: TO MR. DICK

LA SOLITUDE, HYERES, VAR, 12TH MARCH 1884.

MY DEAR MR. DICK, - I have been a great while owing you a letter; but I am not without excuses, as you have heard. I overworked to get a piece of work finished before I had my holiday, thinking to enjoy it more; and instead of that, the machinery near hand came sundry in my hands! like Murdie's uniform. However, I am now, I think, in a fair way of recovery; I think I was made, what there is of me, of whipcord and thorn-switches; surely I am tough! But I fancy I shall not overdrive again, or not so long. It is my theory that work is highly beneficial, but that it should, if possible, and certainly for such partially broken-down instruments as the thing I call my body, be taken in batches, with a clear break and breathing space between. I always do vary my work, laying one thing aside to take up another, not merely because I believe it rests the brain, but because I have found it most beneficial to the result. Reading, Bacon says, makes a full man, but what makes me full on any subject is to banish it for a time from all my thoughts. However, what I now propose is, out of every quarter, to work two months' and rest the third. I believe I shall get more done, as I generally manage, on my present scheme, to have four months' impotent illness and two of imperfect health - one before, one after, I break down. This, at least, is not an economical division of the year.

I re-read the other day that heartbreaking book, the LIFE OF SCOTT. One should read such works now and then, but O, not often. As I live, I feel more and more that literature should be cheerful and brave-spirited, even if it cannot be made beautiful and pious and heroic. We wish it to be a green place; the WAVERLEY NOVELS are better to re-read than the over-true life, fine as dear Sir Walter was. The Bible, in most parts, is a cheerful book; it is our little piping theologies, tracts, and sermons that are dull and dowie; and even the Shorter Catechism, which is scarcely a work of consolation, opens with the best and shortest and completest sermon ever written - upon Man's chief end. - Believe me, my dear Mr. Dick, very sincerely yours,

ROBERT LOUIS STEVENSON.

P.S. - You see I have changed my hand. I was threatened apparently with scrivener's cramp, and at any rate had got to write so small, that the revisal of my MS. tried my eyes, hence my signature alone remains upon the old model; for it appears that if I changed that, I should be cut off from my 'vivers.'

R. L. S.

Letter: TO COSMO MONKHOUSE

LA SOLITUDE, HYERES-LES-PALMIERS, VAR, MARCH 16, 1884.

Robert Louis Stevenson
Classic Literature Library

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