L. S.

Letter: TO AUGUSTUS ST. GAUDENS

VAILIMA, SAMOA, MAY 29TH, 1893

MY DEAR GOD-LIKE SCULPTOR, - I wish in the most delicate manner in the world to insinuate a few commissions:-

No. 1. Is for a couple of copies of my medallion, as gilt-edged and high-toned as it is possible to make them. One is for our house here, and should be addressed as above. The other is for my friend Sidney Colvin, and should be addressed - Sidney Colvin, Esq., Keeper of the Print Room, British Museum, London.

No. 2. This is a rather large order, and demands some explanation. Our house is lined with varnished wood of a dark ruddy colour, very beautiful to see; at the same time, it calls very much for gold; there is a limit to picture frames, and really you know there has to be a limit to the pictures you put inside of them. Accordingly, we have had an idea of a certain kind of decoration, which, I think, you might help us to make practical. What we want is an alphabet of gilt letters (very much such as people play with), and all mounted on spikes like drawing-pins; say two spikes to each letter, one at top, and one at bottom. Say that they were this height,

I I I

and that you chose a model of some really exquisitely fine, clear type from some Roman monument, and that they were made either of metal or some composition gilt - the point is, could not you, in your land of wooden houses, get a manufacturer to take the idea and manufacture them at a venture, so that I could get two or three hundred pieces or so at a moderate figure? You see, suppose you entertain an honoured guest, when he goes he leaves his name in gilt letters on your walls; an infinity of fun and decoration can be got out of hospitable and festive mottoes; and the doors of every room can be beautified by the legend of their names. I really think there is something in the idea, and you might be able to push it with the brutal and licentious manufacturer, using my name if necessary, though I should think the name of the god-like sculptor would be more germane. In case you should get it started, I should tell you that we should require commas in order to write the Samoan language, which is full of words written thus: la'u, ti'e ti'e. As the Samoan language uses but a very small proportion of the consonants, we should require a double or treble stock of all vowels and of F, G, L, U, N, P, S, T, and V.

The other day in Sydney, I think you might be interested to hear, I was sculpt a second time by a man called -, as well as I can remember and read. I mustn't criticise a present, and he had very little time to do it in. It is thought by my family to be an excellent likeness of Mark Twain. This poor fellow, by the by, met with the devil of an accident. A model of a statue which he had just finished with a desperate effort was smashed to smithereens on its way to exhibition.

Please be sure and let me know if anything is likely to come of this letter business, and the exact cost of each letter, so that I may count the cost before ordering. - Yours sincerely,

ROBERT LOUIS STEVENSON.

Letter: TO EDMUND GOSSE

JUNE 10TH, 1893.

MY DEAR GOSSE, - My mother tells me you never received the very long and careful letter that I sent you more than a year ago; or is it two years?

I was indeed so much surprised at your silence that I wrote to Henry James and begged him to inquire if you had received it; his reply was an (if possible) higher power of the same silence; whereupon I bowed my head and acquiesced. But there is no doubt the letter was written and sent; and I am sorry it was lost, for it contained, among other things, an irrecoverable criticism of your father's LIFE, with a number of suggestions for another edition, which struck me at the time as excellent.

Well, suppose we call that cried off, and begin as before? It is fortunate indeed that we can do so, being both for a while longer in the day. But, alas! when I see 'works of the late J.

Robert Louis Stevenson
Classic Literature Library

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