But his manner, though superior, was exquisitely gracious; and I find I have a lurking curiosity as to Father Michael's past.
The whet administered, I was left alone for a little in the monastery garden. This is no more than the main court, laid out in sandy paths and beds of parti-coloured dahlias, and with a fountain and a black statue of the Virgin in the centre. The buildings stand around it four-square, bleak, as yet unseasoned by the years and weather, and with no other features than a belfry and a pair of slated gables. Brothers in white, brothers in brown, passed silently along the sanded alleys; and when I first came out, three hooded monks were kneeling on the terrace at their prayers. A naked hill commands the monastery upon one side, and the wood commands it on the other. It lies exposed to wind; the snow falls off and on from October to May, and sometimes lies six weeks on end; but if they stood in Eden, with a climate like heaven's, the buildings themselves would offer the same wintry and cheerless aspect; and for my part, on this wild September day, before I was called to dinner, I felt chilly in and out.
When I had eaten well and heartily, Brother Ambrose, a hearty conversible Frenchman (for all those who wait on strangers have the liberty to speak), led me to a little room in that part of the building which is set apart for MM. LES RETRAITANTS. It was clean and whitewashed, and furnished with strict necessaries, a crucifix, a bust of the late Pope, the IMITATION in French, a book of religious meditations, and the LIFE OF ELIZABETH SETON, evangelist, it would appear, of North America and of New England in particular. As far as my experience goes, there is a fair field for some more evangelisation in these quarters; but think of Cotton Mather! I should like to give him a reading of this little work in heaven, where I hope he dwells; but perhaps he knows all that already, and much more; and perhaps he and Mrs. Seton are the dearest friends, and gladly unite their voices in the everlasting psalm. Over the table, to conclude the inventory of the room, hung a set of regulations for MM. LES RETRAITANTS: what services they should attend, when they were to tell their beads or meditate, and when they were to rise and go to rest. At the foot was a notable N.B.: 'LE TEMPS LIBRE EST EMPLOYE A L'EXAMEN DE CONSCIENCE, A LA CONFESSION, A FAIRE DE BONNES RESOLUTIONS, ETC.' To make good resolutions, indeed! You might talk as fruitfully of making the hair grow on your head.
I had scarce explored my niche when Brother Ambrose returned. An English boarder, it appeared, would like to speak with me. I professed my willingness, and the friar ushered in a fresh, young, little Irishman of fifty, a deacon of the Church, arrayed in strict canonicals, and wearing on his head what, in default of knowledge, I can only call the ecclesiastical shako. He had lived seven years in retreat at a convent of nuns in Belgium, and now five at Our Lady of the Snows; he never saw an English newspaper; he spoke French imperfectly, and had he spoken it like a native, there was not much chance of conversation where he dwelt. With this, he was a man eminently sociable, greedy of news, and simple-minded like a child. If I was pleased to have a guide about the monastery, he was no less delighted to see an English face and hear an English tongue.
He showed me his own room, where he passed his time among breviaries, Hebrew Bibles, and the Waverley Novels. Thence he led me to the cloisters, into the chapter-house, through the vestry, where the brothers' gowns and broad straw hats were hanging up, each with his religious name upon a board - names full of legendary suavity and interest, such as Basil, Hilarion, Raphael, or Pacifique; into the library, where were all the works of Veuillot and Chateaubriand, and the ODES ET BALLADES, if you please, and even Moliere, to say nothing of innumerable fathers and a great variety of local and general historians. Thence my good Irishman took me round the workshops, where brothers bake bread, and make cartwheels, and take photographs; where one superintends a collection of curiosities, and another a gallery of rabbits.