ANSTRUTHER is a place sacred to the Muse; she inspired (really to a considerable extent) Tennant's vernacular poem ANST'ER FAIR; and I have there waited upon her myself with much devotion. This was when I came as a young man to glean engineering experience from the building of the breakwater. What I gleaned, I am sure I do not know; but indeed I had already my own private determination to be an author; I loved the art of words and the appearances of life; and TRAVELLERS, and HEADERS, and RUBBLE, and POLISHED ASHLAR, and PIERRES PERDUES, and even the thrilling question of the STRING- COURSE, interested me only (if they interested me at all) as properties for some possible romance or as words to add to my vocabulary. To grow a little catholic is the compensation of years; youth is one-eyed; and in those days, though I haunted the breakwater by day, and even loved the place for the sake of the sunshine, the thrilling seaside air, the wash of waves on the sea- face, the green glimmer of the divers' helmets far below, and the musical chinking of the masons, my one genuine preoccupation lay elsewhere, and my only industry was in the hours when I was not on duty. I lodged with a certain Bailie Brown, a carpenter by trade; and there, as soon as dinner was despatched, in a chamber scented with dry rose-leaves, drew in my chair to the table and proceeded to pour forth literature, at such a speed, and with such intimations of early death and immortality, as I now look back upon with wonder. Then it was that I wrote VOCES FIDELIUM, a series of dramatic monologues in verse; then that I indited the bulk of a covenanting novel - like so many others, never finished. Late I sat into the night, toiling (as I thought) under the very dart of death, toiling to leave a memory behind me. I feel moved to thrust aside the curtain of the years, to hail that poor feverish idiot, to bid him go to bed and clap VOCES FIDELIUM on the fire before he goes; so clear does he appear before me, sitting there between his candles in the rose-scented room and the late night; so ridiculous a picture (to my elderly wisdom) does the fool present! But he was driven to his bed at last without miraculous intervention; and the manner of his driving sets the last touch upon this eminently youthful business. The weather was then so warm that I must keep the windows open; the night without was populous with moths. As the late darkness deepened, my literary tapers beaconed forth more brightly; thicker and thicker came the dusty night-fliers, to gyrate for one brilliant instant round the flame and fall in agonies upon my paper. Flesh and blood could not endure the spectacle; to capture immortality was doubtless a noble enterprise, but not to capture it at such a cost of suffering; and out would go the candles, and off would I go to bed in the darkness raging to think that the blow might fall on the morrow, and there was VOCES FIDELIUM still incomplete. Well, the moths are - all gone, and VOCES FIDELIUM along with them; only the fool is still on hand and practises new follies.

Robert Louis Stevenson
Classic Literature Library

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