Keats - John Keats, sir - and Shelley were his favourite bards. I cannot remember if I tried him with Rossetti; but I know his taste to a hair, and if ever I did, he must have doted on that author. What took him was a richness in the speech; he loved the exotic, the unexpected word; the moving cadence of a phrase; a vague sense of emotion (about nothing) in the very letters of the alphabet: the romance of language. His honest head was very nearly empty, his intellect like a child's; and when he read his favourite authors, he can almost never have understood what he was reading. Yet the taste was not only genuine, it was exclusive; I tried in vain to offer him novels; he would none of them, he cared for nothing but romantic language that he could not understand. The case may be commoner than we suppose. I am reminded of a lad who was laid in the next cot to a friend of mine in a public hospital and who was no sooner installed than he sent out (perhaps with his last pence) for a cheap Shakespeare. My friend pricked up his ears; fell at once in talk with his new neighbour, and was ready, when the book arrived, to make a singular discovery. For this lover of great literature understood not one sentence out of twelve, and his favourite part was that of which he understood the least - the inimitable, mouth-filling rodomontade of the ghost in HAMLET. It was a bright day in hospital when my friend expounded the sense of this beloved jargon: a task for which I am willing to believe my friend was very fit, though I can never regard it as an easy one. I know indeed a point or two, on which I would gladly question Mr. Shakespeare, that lover of big words, could he revisit the glimpses of the moon, or could I myself climb backward to the spacious days of Elizabeth. But in the second case, I should most likely pretermit these questionings, and take my place instead in the pit at the Blackfriars, to hear the actor in his favourite part, playing up to Mr. Burbage, and rolling out - as I seem to hear him - with a ponderous gusto-

"Unhousel'd, disappointed, unanel'd."

What a pleasant chance, if we could go there in a party I and what a surprise for Mr. Burbage, when the ghost received the honours of the evening!

As for my old soldier, like Mr. Burbage and Mr. Shakespeare, he is long since dead; and now lies buried, I suppose, and nameless and quite forgotten, in some poor city graveyard. - But not for me, you brave heart, have you been buried! For me, you are still afoot, tasting the sun and air, and striding southward. By the groves of Comiston and beside the Hermitage of Braid, by the Hunters' Tryst, and where the curlews and plovers cry around Fairmilehead, I see and hear you, stalwartly carrying your deadly sickness, cheerfully discoursing of uncomprehended poets.

Robert Louis Stevenson
Classic Literature Library

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