In 1880 he was married.
Stevenson's first successful work was _Treasure Island_, which was published in book form in 1883, and has already become a classic. This did not, however, bring him either a good income or general fame. His great reputation dates from the publication of the _Strange Case of Dr. Jekyll and Mr. Hyde,_ which appeared in 1886. That work had an instant and unqualified success, especially in America, and made its author's name known to the whole English-speaking world. _Kidnapped_ was published the same year, and another masterpiece, _The Master of Ballantrae_, in 1889.
After various experiments with different climates, including that of Switzerland, Stevenson sailed for America in August 1887. The winter of 1887-88 he spent at Saranac Lake, under the care of Dr. Trudeau, who became one of his best friends. In 1890 he settled at Samoa in the Pacific. Here he entered upon a career of intense literary activity, and yet found time to take an active part in the politics of the island, and to give valuable assistance in internal improvements.
The end came suddenly, exactly as he would have wished it, and precisely as he had unconsciously predicted in the last radiant, triumphant sentences of his great essay, _Aes Triplex_. He had been at work on a novel, _St. Ives_, one of his poorer efforts, and whose composition grew steadily more and more distasteful, until he found that he was actually writing against the grain. He threw this aside impatiently, and with extraordinary energy and enthusiasm began a new story, _Weir of Hermiston_, which would undoubtedly have been his masterpiece, had he lived to complete it. In luminosity of style, in nobleness of conception, in the almost infallible choice of words, this astonishing fragment easily takes first place in Stevenson's productions. At the end of a day spent in almost feverish dictation, the third of December 1894, he suddenly fainted, and died without regaining consciousness. "Death had not been suffered to take so much as an illusion from his heart. In the hot-fit of life, a-tiptoe on the highest point of being, he passed at a bound on to the other side. The noise of the mallet and chisel was scarcely quenched, the trumpets were hardly done blowing, when, trailing with him clouds of glory, this happy-starred, full-blooded spirit shot into the spiritual land."
He was buried at the summit of a mountain, the body being carried on the shoulders of faithful Samoans, who might have sung Browning's noble hymn,
"Let us begin and carry up this corpse, Singing together! Leave we the common crofts, the vulgar thorpes Each in its tether Sleeping safe on the bosom of the plain... That's the appropriate country; there, man's thought, Rarer, intenser, Self-gathered for an outbreak, as it ought, Chafes in the censer. Leave we the unlettered plain its herd and crop; Seek we sepulture On a tall mountain... Thither our path lies; wind we up the heights: Wait ye the warning! Our low life was the level's and the night's; He's for the morning. Step to a tune, square chests, erect each head, 'Ware the beholders! This is our master, famous, calm and dead, Borne on our shoulders...
Here--here's his place, where meteors shoot clouds form, Lightnings are loosened, Stars come and go! Let joy break with the storm, Peace let the dew send! Lofty designs must close in like effects Loftily lying, Leave him--still loftier than the world suspects, Living and dying."
II
PERSONALITY AND CHARACTER
Stevenson had a motley personality, which is sufficiently evident in his portraits. There was in him the Puritan, the man of the world, and the vagabond. There was something too of the obsolete soldier of fortune, with the cocked and feathered hat, worn audaciously on one side. There was also a touch of the elfin, the uncanny--the mysterious charm that belongs to the borderland between the real and the unreal world--the element so conspicuous and so indefinable in the art of Hawthorne.