Resignation, the cowardice that apes a kind of courage and that lives in the very air of health resorts, is cast aside at a breath of such a prospect. The man can open the door; he can be up and doing; he can be a kind of a man after all and not merely an invalid.

But it is a far cry to the Rocky Mountains. We cannot all of us go farming in Colorado; and there is yet a middle term, which combines the medical benefits of the new system with the moral drawbacks of the old. Again the invalid has to lie aside from life and its wholesome duties; again he has to be an idler among idlers; but this time at a great altitude, far among the mountains, with the snow piled before his door and the frost flowers every morning on his window. The mere fact is tonic to his nerves. His choice of a place of wintering has somehow to his own eyes the air of an act of bold contract; and, since he has wilfully sought low temperatures, he is not so apt to shudder at a touch of chill. He came for that, he looked for it, and he throws it from him with the thought.

A long straight reach of valley, wall-like mountains upon either hand that rise higher and higher and shoot up new summits the higher you climb; a few noble peaks seen even from the valley; a village of hotels; a world of black and white--black pine-woods, clinging to the sides of the valley, and white snow flouring it, and papering it between the pine-woods, and covering all the mountains with a dazzling curd; add a few score invalids marching to and fro upon the snowy road, or skating on the ice-rinks, possibly to music, or sitting under sunshades by the door of the hotel--and you have the larger features of a mountain sanatorium. A certain furious river runs curving down the valley; its pace never varies, it has not a pool for as far as you can follow it; and its unchanging, senseless hurry is strangely tedious to witness. It is a river that a man could grow to hate. Day after day breaks with the rarest gold upon the mountain spires, and creeps, growing and glowing, down into the valley. From end to end the snow reverberates the sunshine; from end to end the air tingles with the light, clear and dry like crystal. Only along the course of the river, but high above it, there hangs far into the noon, one waving scarf of vapour. It were hard to fancy a more engaging feature in a landscape; perhaps it is harder to believe that delicate, long-lasting phantom of the atmosphere, a creature of the incontinent stream whose course it follows. By noon the sky is arrayed in an unrivalled pomp of colour--mild and pale and melting in the north, but towards the zenith, dark with an intensity of purple blue. What with this darkness of heaven and the intolerable lustre of the snow, space is reduced again to chaos. An English painter, coming to France late in life, declared with natural anger that 'the values were all wrong.' Had he got among the Alps on a bright day he might have lost his reason. And even to any one who has looked at landscape with any care, and in any way through the spectacles of representative art, the scene has a character of insanity. The distant shining mountain peak is here beside your eye; the neighbouring dull-coloured house in comparison is miles away; the summit, which is all of splendid snow, is close at hand; the nigh slopes, which are black with pine trees, bear it no relation, and might be in another sphere. Here there are none of those delicate gradations, those intimate, misty joinings-on and spreadings-out into the distance, nothing of that art of air and light by which the face of nature explains and veils itself in climes which we may be allowed to think more lovely. A glaring piece of crudity, where everything that is not white is a solecism and defies the judgment of the eyesight; a scene of blinding definition; a parade of daylight, almost scenically vulgar, more than scenically trying, and yet hearty and healthy, making the nerves to tighten and the mouth to smile: such is the winter daytime in the Alps.

Robert Louis Stevenson
Classic Literature Library

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