We may thus be said to have taken Butaritari by surprise. A few inhabitants were still abroad in the north end, at which we landed. As we advanced, we were soon done with encounter, and seemed to explore a city of the dead. Only, between the posts of open houses, we could see the townsfolk stretched in the siesta, sometimes a family together veiled in a mosquito-net, sometimes a single sleeper on a platform like a corpse on a bier.
The houses were of all dimensions, from those of toys to those of churches. Some might hold a battalion, some were so minute they could scarce receive a pair of lovers; only in the playroom, when the toys are mingled, do we meet such incongruities of scale. Many were open sheds; some took the form of roofed stages; others were walled and the walls pierced with little windows. A few were perched on piles in the lagoon; the rest stood at random on a green, through which the roadway made a ribbon of sand, or along the embankments of a sheet of water like a shallow dock. One and all were the creatures of a single tree; palm-tree wood and palm- tree leaf their materials; no nail had been driven, no hammer sounded, in their building, and they were held together by lashings of palm-tree sinnet.
In the midst of the thoroughfare, the church stands like an island, a lofty and dim house with rows of windows; a rich tracery of framing sustains the roof; and through the door at either end the street shows in a vista. The proportions of the place, in such surroundings, and built of such materials, appeared august; and we threaded the nave with a sentiment befitting visitors in a cathedral. Benches run along either side. In the midst, on a crazy dais, two chairs stand ready for the king and queen when they shall choose to worship; over their heads a hoop, apparently from a hogshead, depends by a strip of red cotton; and the hoop (which hangs askew) is dressed with streamers of the same material, red and white.
This was our first advertisement of the royal dignity, and presently we stood before its seat and centre. The palace is built of imported wood upon a European plan; the roof of corrugated iron, the yard enclosed with walls, the gate surmounted by a sort of lych-house. It cannot be called spacious; a labourer in the States is sometimes more commodiously lodged; but when we had the chance to see it within, we found it was enriched (beyond all island expectation) with coloured advertisements and cuts from the illustrated papers. Even before the gate some of the treasures of the crown stand public: a bell of a good magnitude, two pieces of cannon, and a single shell. The bell cannot be rung nor the guns fired; they are curiosities, proofs of wealth, a part of the parade of the royalty, and stand to be admired like statues in a square. A straight gut of water like a canal runs almost to the palace door; the containing quay-walls excellently built of coral; over against the mouth, by what seems an effect of landscape art, the martello-like islet of the gaol breaks the lagoon. Vassal chiefs with tribute, neighbour monarchs come a-roving, might here sail in, view with surprise these extensive public works, and be awed by these mouths of silent cannon. It was impossible to see the place and not to fancy it designed for pageantry. But the elaborate theatre then stood empty; the royal house deserted, its doors and windows gaping; the whole quarter of the town immersed in silence. On the opposite bank of the canal, on a roofed stage, an ancient gentleman slept publicly, sole visible inhabitant; and beyond on the lagoon a canoe spread a striped lateen, the sole thing moving.
The canal is formed on the south by a pier or causeway with a parapet. At the far end the parapet stops, and the quay expands into an oblong peninsula in the lagoon, the breathing-place and summer parlour of the king. The midst is occupied by an open house or permanent marquee--called here a maniapa, or, as the word is now pronounced, a maniap'--at the lowest estimation forty feet by sixty.