It was her brother, suddenly returned out of a past that was never very clearly understood, with the rank of general, many strange gems, many cloudy stories of adventure, and next his heart, the daguerreotype of an Indian prince with whom he had mixed blood.

The last of this wild family, the daughter, Henrietta Camilla, became the wife of the midshipman Charles, and the mother of the subject of this notice, Fleeming Jenkin. She was a woman of parts and courage. Not beautiful, she had a far higher gift, the art of seeming so; played the part of a belle in society, while far lovelier women were left unattended; and up to old age had much of both the exigency and the charm that mark that character. She drew naturally, for she had no training, with unusual skill; and it was from her, and not from the two naval artists, that Fleeming inherited his eye and hand. She played on the harp and sang with something beyond the talent of an amateur. At the age of seventeen, she heard Pasta in Paris; flew up in a fire of youthful enthusiasm; and the next morning, all alone and without introduction, found her way into the presence of the PRIMA DONNA and begged for lessons. Pasta made her sing, kissed her when she had done, and though she refused to be her mistress, placed her in the hands of a friend. Nor was this all, for when Pasta returned to Paris, she sent for the girl (once at least) to test her progress. But Mrs. Jenkin's talents were not so remarkable as her fortitude and strength of will; and it was in an art for which she had no natural taste (the art of literature) that she appeared before the public. Her novels, though they attained and merited a certain popularity both in France and England, are a measure only of her courage. They were a task, not a beloved task; they were written for money in days of poverty, and they served their end. In the least thing as well as in the greatest, in every province of life as well as in her novels, she displayed the same capacity of taking infinite pains, which descended to her son. When she was about forty (as near as her age was known) she lost her voice; set herself at once to learn the piano, working eight hours a day; and attained to such proficiency that her collaboration in chamber music was courted by professionals. And more than twenty years later, the old lady might have been seen dauntlessly beginning the study of Hebrew. This is the more ethereal part of courage; nor was she wanting in the more material. Once when a neighbouring groom, a married man, had seduced her maid, Mrs. Jenkin mounted her horse, rode over to the stable entrance and horsewhipped the man with her own hand.

How a match came about between this talented and spirited girl and the young midshipman, is not very I easy to conceive. Charles Jenkin was one of the finest creatures breathing; loyalty, devotion, simple natural piety, boyish cheerfulness, tender and manly sentiment in the old sailor fashion, were in him inherent and inextinguishable either by age, suffering, or injustice. He looked, as he was, every inch a gentleman; he must have been everywhere notable, even among handsome men, both for his face and his gallant bearing; not so much that of a sailor, you would have said, as like one of those gentle and graceful soldiers that, to this day, are the most pleasant of Englishmen to see. But though he was in these ways noble, the dunce scholar of Northiam was to the end no genius. Upon all points that a man must understand to be a gentleman, to be upright, gallant, affectionate and dead to self, Captain Jenkin was more knowing than one among a thousand; outside of that, his mind was very largely blank. He had indeed a simplicity that came near to vacancy; and in the first forty years of his married life, this want grew more accentuated. In both families imprudent marriages had been the rule; but neither Jenkin nor Campbell had ever entered into a more unequal union. It was the captain's good looks, we may suppose, that gained for him this elevation; and in some ways and for many years of his life, he had to pay the penalty.

Robert Louis Stevenson
Classic Literature Library

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