Foxgloves, though undoubtedly guilty on the last count, he not only spared, but loved; and when the shrubbery was being thinned, he stayed his hand and dexterously manipulated his bill in order to save every stately stem. In boyhood, as he told me once, speaking in that tone that only actors and the old-fashioned common folk can use nowadays, his heart grew "PROUD" within him when he came on a burn-course among the braes of Manor that shone purple with their graceful trophies; and not all his apprenticeship and practice for so many years of precise gardening had banished these boyish recollections from his heart. Indeed, he was a man keenly alive to the beauty of all that was bygone. He abounded in old stories of his boyhood, and kept pious account of all his former pleasures; and when he went (on a holiday) to visit one of the fabled great places of the earth where he had served before, he came back full of little pre-Raphaelite reminiscences that showed real passion for the past, such as might have shaken hands with Hazlitt or Jean-Jacques.

But however his sympathy with his old feelings might affect his liking for the foxgloves, the very truth was that he scorned all flowers together. They were but garnishings, childish toys, trifling ornaments for ladies' chimney-shelves. It was towards his cauliflowers and peas and cabbage that his heart grew warm. His preference for the more useful growths was such that cabbages were found invading the flower-pots, and an outpost of savoys was once discovered in the centre of the lawn. He would prelect over some thriving plant with wonderful enthusiasm, piling reminiscence on reminiscence of former and perhaps yet finer specimens. Yet even then he did not let the credit leave himself. He had, indeed, raised "FINER O' THEM;" but it seemed that no one else had been favoured with a like success. All other gardeners, in fact, were mere foils to his own superior attainments; and he would recount, with perfect soberness of voice and visage, how so and so had wondered, and such another could scarcely give credit to his eyes. Nor was it with his rivals only that he parted praise and blame. If you remarked how well a plant was looking, he would gravely touch his hat and thank you with solemn unction; all credit in the matter falling to him. If, on the other hand, you called his attention to some back-going vegetable, he would quote Scripture: "PAUL MAY PLANT AND APOLLOS MAY WATER;" all blame being left to Providence, on the score of deficient rain or untimely frosts.

There was one thing in the garden that shared his preference with his favourite cabbages and rhubarb, and that other was the beehive. Their sound, their industry, perhaps their sweet product also, had taken hold of his imagination and heart, whether by way of memory or no I cannot say, although perhaps the bees too were linked to him by some recollection of Manor braes and his country childhood. Nevertheless, he was too chary of his personal safety or (let me rather say) his personal dignity to mingle in any active office towards them. But he could stand by while one of the contemned rivals did the work for him, and protest that it was quite safe in spite of his own considerate distance and the cries of the distressed assistant. In regard to bees, he was rather a man of word than deed, and some of his most striking sentences had the bees for text. "THEY ARE INDEED WONDERFUL CREATURES, MEM," he said once. "THEY JUST MIND ME O' WHAT THE QUEEN OF SHEBA SAID TO SOLOMON - AND I THINK SHE SAID IT WI' A SIGH, - 'THE HALF OF IT HATH NOT BEEN TOLD UNTO ME.'"

As far as the Bible goes, he was deeply read. Like the old Covenanters, of whom he was the worthy representative, his mouth was full of sacred quotations; it was the book that he had studied most and thought upon most deeply. To many people in his station the Bible, and perhaps Burns, are the only books of any vital literary merit that they read, feeding themselves, for the rest, on the draff of country newspapers, and the very instructive but not very palatable pabulum of some cheap educational series.

Robert Louis Stevenson
Classic Literature Library

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