He has a worthless smattering of many subjects, but a grasp of none. 'I soon weary of a pursuit,' he said to me, laughing; it would almost appear as if he took a pride in his incapacity and lack of moral courage. The results of his dilettanteism are to be seen in every field; he is a bad fencer, a second-rate horseman, dancer, shot; he sings - I have heard him - and he sings like a child; he writes intolerable verses in more than doubtful French; he acts like the common amateur; and in short there is no end to the number of the things that he does, and does badly. His one manly taste is for the chase. In sum, he is but a plexus of weaknesses; the singing chambermaid of the stage, tricked out in man's apparel, and mounted on a circus horse. I have seen this poor phantom of a prince riding out alone or with a few huntsmen, disregarded by all, and I have been even grieved for the bearer of so futile and melancholy an existence. The last Merovingians may have looked not otherwise.

The Princess Amalia Seraphina, a daughter of the Grand-Ducal house of Toggenburg-Tannhauser, would be equally inconsiderable if she were not a cutting instrument in the hands of an ambitious man. She is much younger than the Prince, a girl of two-and-twenty, sick with vanity, superficially clever, and fundamentally a fool. She has a red-brown rolling eye, too large for her face, and with sparks of both levity and ferocity; her forehead is high and narrow, her figure thin and a little stooping. Her manners, her conversation, which she interlards with French, her very tastes and ambitions, are alike assumed; and the assumption is ungracefully apparent: Hoyden playing Cleopatra. I should judge her to be incapable of truth. In private life a girl of this description embroils the peace of families, walks attended by a troop of scowling swains, and passes, once at least, through the divorce court; it is a common and, except to the cynic, an uninteresting type. On the throne, however, and in the hands of a man like Gondremark, she may become the authoress of serious public evils.

Gondremark, the true ruler of this unfortunate country, is a more complex study. His position in Grunewald, to which he is a foreigner, is eminently false; and that he should maintain it as he does, a very miracle of impudence and dexterity. His speech, his face, his policy, are all double: heads and tails. Which of the two extremes may be his actual design he were a bold man who should offer to decide. Yet I will hazard the guess that he follows both experimentally, and awaits, at the hand of destiny, one of those directing hints of which she is so lavish to the wise.

On the one hand, as MAIRE DU PALAIS to the incompetent Otto, and using the love-sick Princess for a tool and mouthpiece, he pursues a policy of arbitrary power and territorial aggrandisement. He has called out the whole capable male population of the state to military service; he has bought cannon; he has tempted away promising officers from foreign armies; and he now begins, in his international relations, to assume the swaggering port and the vague, threatful language of a bully. The idea of extending Grunewald may appear absurd, but the little state is advantageously placed, its neighbours are all defenceless; and if at any moment the jealousies of the greater courts should neutralise each other, an active policy might double the principality both in population and extent. Certainly at least the scheme is entertained in the court of Mittwalden; nor do I myself regard it as entirely desperate. The margravate of Brandenburg has grown from as small beginnings to a formidable power; and though it is late in the day to try adventurous policies, and the age of war seems ended, Fortune, we must not forget, still blindly turns her wheel for men and nations. Concurrently with, and tributary to, these warlike preparations, crushing taxes have been levied, journals have been suppressed, and the country, which three years ago was prosperous and happy, now stagnates in a forced inaction, gold has become a curiosity, and the mills stand idle on the mountain streams.

Robert Louis Stevenson
Classic Literature Library

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