ST. Ives

Page 28

The cottage was a little quaint place of many rough-cast gables and grey roofs. It had something the air of a rambling infinitesimal cathedral, the body of it rising in the midst two storeys high, with a steep-pitched roof, and sending out upon all hands (as it were chapter-houses, chapels, and transepts) one-storeyed and dwarfish projections. To add to this appearance, it was grotesquely decorated with crockets and gargoyles, ravished from some medieval church. The place seemed hidden away, being not only concealed in the trees of the garden, but, on the side on which I approached it, buried as high as the eaves by the rising of the ground. About the walls of the garden there went a line of well-grown elms and beeches, the first entirely bare, the last still pretty well covered with red leaves, and the centre was occupied with a thicket of laurel and holly, in which I could see arches cut and paths winding.

I was now within hail of my friends, and not much the better. The house appeared asleep; yet if I attempted to wake any one, I had no guarantee it might not prove either the aunt with the gold eyeglasses (whom I could only remember with trembling), or some ass of a servant-maid who should burst out screaming at sight of me. Higher up I could hear and see a shepherd shouting to his dogs and striding on the rough sides of the mountain, and it was clear I must get to cover without loss of time. No doubt the holly thickets would have proved a very suitable retreat, but there was mounted on the wall a sort of signboard not uncommon in the country of Great Britain, and very damping to the adventurous: SPRING GUNS AND MAN-TRAPS was the legend that it bore. I have learned since that these advertisements, three times out of four, were in the nature of Quaker guns on a disarmed battery, but I had not learned it then, and even so, the odds would not have been good enough. For a choice, I would a hundred times sooner be returned to Edinburgh Castle and my corner in the bastion, than to leave my foot in a steel trap or have to digest the contents of an automatic blunderbuss. There was but one chance left--that Ronald or Flora might be the first to come abroad; and in order to profit by this chance if it occurred, I got me on the cope of the wall in a place where it was screened by the thick branches of a beech, and sat there waiting.

As the day wore on, the sun came very pleasantly out. I had been awake all night, I had undergone the most violent agitations of mind and body, and it is not so much to be wondered at, as it was exceedingly unwise and foolhardy, that I should have dropped into a doze. From this I awakened to the characteristic sound of digging, looked down, and saw immediately below me the back view of a gardener in a stable waistcoat. Now he would appear steadily immersed in his business; anon, to my more immediate terror, he would straighten his back, stretch his arms, gaze about the otherwise deserted garden, and relish a deep pinch of snuff. It was my first thought to drop from the wall upon the other side. A glance sufficed to show me that even the way by which I had come was now cut off, and the field behind me already occupied by a couple of shepherds' assistants and a score or two of sheep. I have named the talismans on which I habitually depend, but here was a conjuncture in which both were wholly useless. The copestone of a wall arrayed with broken bottles is no favourable rostrum; and I might be as eloquent as Pitt, and as fascinating as Richelieu, and neither the gardener nor the shepherd lads would care a halfpenny. In short, there was no escape possible from my absurd position: there I must continue to sit until one or other of my neighbours should raise his eyes and give the signal for my capture.

The part of the wall on which (for my sins) I was posted could be scarce less than twelve feet high on the inside; the leaves of the beech which made a fashion of sheltering me were already partly fallen; and I was thus not only perilously exposed myself, but enabled to command some part of the garden walks and (under an evergreen arch) the front lawn and windows of the cottage.

Robert Louis Stevenson
Classic Literature Library

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