The Dynamiter Page 01
THE DYNAMITER
1903
TO MESSRS. COLE AND COX, POLICE OFFICERS
Gentlemen,--In the volume now in your hands, the authors have touched upon that ugly devil of crime, with which it is your glory to have contended. It were a waste of ink to do so in a serious spirit. Let us dedicate our horror to acts of a more mingled strain, where crime preserves some features of nobility, and where reason and humanity can still relish the temptation. Horror, in this case, is due to Mr. Parnell: he sits before posterity silent, Mr. Forster's appeal echoing down the ages. Horror is due to ourselves, in that we have so long coquetted with political crime; not seriously weighing, not acutely following it from cause to consequence; but with a generous, unfounded heat of sentiment, like the schoolboy with the penny tale, applauding what was specious. When it touched ourselves (truly in a vile shape), we proved false to the imaginations; discovered, in a clap, that crime was no less cruel and no less ugly under sounding names; and recoiled from our false deities.
But seriousness comes most in place when we are to speak of our defenders. Whoever be in the right in this great and confused war of politics; whatever elements of greed, whatever traits of the bully, dishonour both parties in this inhuman contest;--your side, your part, is at least pure of doubt. Yours is the side of the child, of the breeding woman, of individual pity and public trust. If our society were the mere kingdom of the devil (as indeed it wears some of his colours) it yet embraces many precious elements and many innocent persons whom it is a glory to defend. Courage and devotion, so common in the ranks of the police, so little recognised, so meagrely rewarded, have at length found their commemoration in an historical act. History, which will represent Mr. Parnell sitting silent under the appeal of Mr. Forster, and Gordon setting forth upon his tragic enterprise, will not forget Mr. Cole carrying the dynamite in his defenceless hands, nor Mr. Cox coming coolly to his aid.
Robert Louis Stevenson Fanny Van De Grift Stevenson
A NOTE FOR THE READER
It is within the bounds of possibility that you may take up this volume, and yet be unacquainted with its predecessor: the first series of NEW ARABIAN NIGHTS. The loss is yours--and mine; or to be more exact, my publishers'. But if you are thus unlucky, the least I can do is to pass you a hint. When you shall find a reference in the following pages to one Theophilus Godall of the Bohemian Cigar Divan in Rupert Street, Soho, you must be prepared to recognise, under his features, no less a person than Prince Florizel of Bohemia, formerly one of the magnates of Europe, now dethroned, exiled, impoverished, and embarked in the tobacco trade.
R. L. S.
NEW ARABIAN NIGHTS
A SECOND SERIES
THE DYNAMITER
PROLOGUE OF THE CIGAR DIVAN
In the city of encounters, the Bagdad of the West, and, to be more precise, on the broad northern pavement of Leicester Square, two young men of five- or six-and-twenty met after years of separation. The first, who was of a very smooth address and clothed in the best fashion, hesitated to recognise the pinched and shabby air of his companion.
'What!' he cried, 'Paul Somerset!'
'I am indeed Paul Somerset,' returned the other, 'or what remains of him after a well-deserved experience of poverty and law. But in you, Challoner, I can perceive no change; and time may be said, without hyperbole, to write no wrinkle on your azure brow.'
'All,' replied Challoner, 'is not gold that glitters. But we are here in an ill posture for confidences, and interrupt the movement of these ladies. Let us, if you please, find a more private corner.'
'If you will allow me to guide you,' replied Somerset, 'I will offer you the best cigar in London.'
And taking the arm of his companion, he led him in silence and at a brisk pace to the door of a quiet establishment in Rupert Street, Soho. The entrance was adorned with one of those gigantic Highlanders of wood which have almost risen to the standing of antiquities; and across the window-glass, which sheltered the usual display of pipes, tobacco, and cigars, there ran the gilded legend: 'Bohemian Cigar Divan, by T.