Have you, like Pepys, 'the right to fiddle' there? I see you mount the companion, barbiton in hand, and, fluttered about by city sparrows, pour forth your spirit in a voluntary. Now when the spring begins, you must lay in your flowers: how do you say about a potted hawthorn? Would it bloom? Wallflower is a choice pot-herb; lily-of-the-valley, too, and carnation, and Indian cress trailed about the window, is not only beautiful by colour, but the leaves are good to eat. I recommend thyme and rosemary for the aroma, which should not be left upon one side; they are good quiet growths.
On one of your tables keep a great map spread out; a chart is still better - it takes one further - the havens with their little anchors, the rocks, banks, and soundings, are adorably marine; and such furniture will suit your ship-shape habitation. I wish I could see those cabins; they smile upon me with the most intimate charm. From your leads, do you behold St. Paul's? I always like to see the Foolscap; it is London PER SE and no spot from which it is visible is without romance. Then it is good company for the man of letters, whose veritable nursing Pater-Noster is so near at hand.
I am all at a standstill; as idle as a painted ship, but not so pretty. My romance, which has so nearly butchered me in the writing, not even finished; though so near, thank God, that a few days of tolerable strength will see the roof upon that structure. I have worked very hard at it, and so do not expect any great public favour. IN MOMENTS OF EFFORT, ONE LEARNS TO DO THE EASY THINGS THAT PEOPLE LIKE. There is the golden maxim; thus one should strain and then play, strain again and play again. The strain is for us, it educates; the play is for the reader, and pleases. Do you not feel so? We are ever threatened by two contrary faults: both deadly. To sink into what my forefathers would have called 'rank conformity,' and to pour forth cheap replicas, upon the one hand; upon the other, and still more insidiously present, to forget that art is a diversion and a decoration, that no triumph or effort is of value, nor anything worth reaching except charm. - Yours affectionately,
R. L. S.
Letter: TO MISS FERRIER
LA SOLITUDE, HYERES-LES-PALMIERS, VAR, [MARCH 22, 1884].
MY DEAR MISS FERRIER, - Are you really going to fall us? This seems a dreadful thing. My poor wife, who is not well off for friends on this bare coast, has been promising herself, and I have been promising her, a rare acquisition. And now Miss Burn has failed, and you utter a very doubtful note. You do not know how delightful this place is, nor how anxious we are for a visit. Look at the names: 'The Solitude' - is that romantic? The palm-trees? - how is that for the gorgeous East? 'Var'? the name of a river - 'the quiet waters by'! 'Tis true, they are in another department, and consist of stones and a biennial spate; but what a music, what a plash of brooks, for the imagination! We have hills; we have skies; the roses are putting forth, as yet sparsely; the meadows by the sea are one sheet of jonquils; the birds sing as in an English May - for, considering we are in France and serve up our song- birds, I am ashamed to say, on a little field of toast and with a sprig of thyme (my own receipt) in their most innocent and now unvocal bellies - considering all this, we have a wonderfully fair wood-music round this Solitude of ours. What can I say more? - All this awaits you. KENNST DU DAS LAND, in short. - Your sincere friend,
ROBERT LOUIS STEVENSON.
Letter: TO W. H. LOW
LA SOLITUDE, HYERES-LES-PALMIERS, VAR, [APRIL 1884].
MY DEAR LOW, - The blind man in these sprawled lines sends greeting. I have been ill, as perhaps the papers told you. The news - 'great news - glorious news - sec-ond ed-ition!' - went the round in England.
Anyway, I now thank you for your pictures, which, particularly the Arcadian one, we all (Bob included, he was here sick-nursing me) much liked.
Herewith are a set of verses which I thought pretty enough to send to press.