But of this more fully ere long. You will see some verses of mine in the last MAGAZINE OF ART, with pictures by a young lady; rather pretty, I think. If we find a market for PHASELLULUS LOQUITUR, we can try another. I hope it isn't necessary to put the verse into that rustic printing. I am Philistine enough to prefer clean printer's type; indeed, I can form no idea of the verses thus transcribed by the incult and tottering hand of the draughtsman, nor gather any impression beyond one of weariness to the eyes. Yet the other day, in the CENTURY, I saw it imputed as a crime to Vedder that he had not thus travestied Omar Khayyam. We live in a rum age of music without airs, stories without incident, pictures without beauty, American wood engravings that should have been etchings, and dry-point etchings that ought to have been mezzo-tints. I think of giving 'em literature without words; and I believe if you were to try invisible illustration, it would enjoy a considerable vogue. So long as an artist is on his head, is painting with a flute, or writes with an etcher's needle, or conducts the orchestra with a meat-axe, all is well; and plaudits shower along with roses. But any plain man who tries to follow the obtrusive canons of his art, is but a commonplace figure. To hell with him is the motto, or at least not that; for he will have his reward, but he will never be thought a person of parts.
JANUARY 3, 1885.
And here has this been lying near two months. I have failed to get together a preliminary copy of the Child's Verses for you, in spite of doughty efforts; but yesterday I sent you the first sheet of the definitive edition, and shall continue to send the others as they come. If you can, and care to, work them - why so, well. If not, I send you fodder. But the time presses; for though I will delay a little over the proofs, and though - it is even possible they may delay the English issue until Easter, it will certainly not be later. Therefore perpend, and do not get caught out. Of course, if you can do pictures, it will be a great pleasure to me to see our names joined; and more than that, a great advantage, as I daresay you may be able to make a bargain for some share a little less spectral than the common for the poor author. But this is all as you shall choose; I give you CARTE BLANCHE to do or not to do. - Yours most sincerely,
ROBERT LOUIS STEVENSON.
O, Sargent has been and painted my portrait; a very nice fellow he is, and is supposed to have done well; it is a poetical but very chicken-boned figure-head, as thus represented. R. L. S. Go on.
P.P.S. - Your picture came; and let me thank you for it very much. I am so hunted I had near forgotten. I find it very graceful; and I mean to have it framed.
Letter: TO THOMAS STEVENSON
BONALLIE TOWERS, BOURNEMOUTH, NOVEMBER 1884.
MY DEAR FATHER, - I have no hesitation in recommending you to let your name go up; please yourself about an address; though I think, if we could meet, we could arrange something suitable. What you propose would be well enough in a way, but so modest as to suggest a whine. From that point of view it would be better to change a little; but this, whether we meet or not, we must discuss. Tait, Chrystal, the Royal Society, and I, all think you amply deserve this honour and far more; it is not the True Blue to call this serious compliment a 'trial'; you should be glad of this recognition. As for resigning, that is easy enough if found necessary; but to refuse would be husky and unsatisfactory. SIC SUBS.
R. L. S.
My cold is still very heavy; but I carry it well. Fanny is very very much out of sorts, principally through perpetual misery with me. I fear I have been a little in the dumps, which, AS YOU KNOW, SIR, is a very great sin. I must try to be more cheerful; but my cough is so severe that I have sometimes most exhausting nights and very peevish wakenings. However, this shall be remedied, and last night I was distinctly better than the night before.