Remember me to GREEN CORN if it is in season; if not, you had better hang yourself on a sour apple tree, for your voyage has been lost. - Yours affectionately,
ROBERT LOUIS STEVENSON.
Letter: TO AUSTIN DOBSON
BONALLIE TOWERS, BOURNEMOUTH [DECEMBER 1884?].
DEAR DOBSON, - Set down my delay to your own fault; I wished to acknowledge such a gift from you in some of my inapt and slovenly rhymes; but you should have sent me your pen and not your desk. The verses stand up to the axles in a miry cross-road, whence the coursers of the sun shall never draw them; hence I am constrained to this uncourtliness, that I must appear before one of the kings of that country of rhyme without my singing robes. For less than this, if we may trust the book of Esther, favourites have tasted death; but I conceive the kingdom of the Muses mildlier mannered; and in particular that county which you administer and which I seem to see as a half-suburban land; a land of holly-hocks and country houses; a land where at night, in thorny and sequestered bypaths, you will meet masqueraders going to a ball in their sedans, and the rector steering homeward by the light of his lantern; a land of the windmill, and the west wind, and the flowering hawthorn with a little scented letter in the hollow of its trunk, and the kites flying over all in the season of kites, and the far away blue spires of a cathedral city.
Will you forgive me, then, for my delay and accept my thanks not only for your present, but for the letter which followed it, and which perhaps I more particularly value, and believe me to be, with much admiration, yours very truly,
ROBERT LOUIS STEVENSON.
Letter: TO HENRY JAMES
BONALLIE TOWERS, BRANKSOME PARK, BOURNEMOUTH, DECEMBER 8, 1884.
MY DEAR HENRY JAMES, - This is a very brave hearing from more points than one. The first point is that there is a hope of a sequel. For this I laboured. Seriously, from the dearth of information and thoughtful interest in the art of literature, those who try to practise it with any deliberate purpose run the risk of finding no fit audience. People suppose it is 'the stuff' that interests them; they think, for instance, that the prodigious fine thoughts and sentiments in Shakespeare impress by their own weight, not understanding that the unpolished diamond is but a stone. They think that striking situations, or good dialogue, are got by studying life; they will not rise to understand that they are prepared by deliberate artifice and set off by painful suppressions. Now, I want the whole thing well ventilated, for my own education and the public's; and I beg you to look as quick as you can, to follow me up with every circumstance of defeat where we differ, and (to prevent the flouting of the laity) to emphasise the points where we agree. I trust your paper will show me the way to a rejoinder; and that rejoinder I shall hope to make with so much art as to woo or drive you from your threatened silence. I would not ask better than to pass my life in beating out this quarter of corn with such a seconder as yourself.
Point the second - I am rejoiced indeed to hear you speak so kindly of my work; rejoiced and surprised. I seem to myself a very rude, left-handed countryman; not fit to be read, far less complimented, by a man so accomplished, so adroit, so craftsmanlike as you. You will happily never have cause to understand the despair with which a writer like myself considers (say) the park scene in Lady Barberina. Every touch surprises me by its intangible precision; and the effect when done, as light as syllabub, as distinct as a picture, fills me with envy. Each man among us prefers his own aim, and I prefer mine; but when we come to speak of performance, I recognise myself, compared with you, to be a lout and slouch of the first water.
Where we differ, both as to the design of stories and the delineation of character, I begin to lament. Of course, I am not so dull as to ask you to desert your walk; but could you not, in one novel, to oblige a sincere admirer, and to enrich his shelves with a beloved volume, could you not, and might you not, cast your characters in a mould a little more abstract and academic (dear Mrs.