How well off I am! is the burthen of my songs all day long - DRUM IST SO WOHL MIR IN DER WELT! and the ugly reality of the cripple man was an intrusion on the beautiful world in which I was walking. He could no more sing than I could; and his voice was cracked and rusty, and altogether perished. To think that that wreck may have walked the streets some night years ago, as glad at heart as I was, and promising himself a future as golden and honourable!

SUNDAY, 11.20 A.M. - I wonder what you are doing now? - in church likely, at the TE DEUM. Everything here is utterly silent. I can hear men's footfalls streets away; the whole life of Edinburgh has been sucked into sundry pious edifices; the gardens below my windows are steeped in a diffused sunlight, and every tree seems standing on tiptoes, strained and silent, as though to get its head above its neighbour's and LISTEN. You know what I mean, don't you? How trees do seem silently to assert themselves on an occasion! I have been trying to write ROADS until I feel as if I were standing on my head; but I mean ROADS, and shall do something to them.

I wish I could make you feel the hush that is over everything, only made the more perfect by rare interruptions; and the rich, placid light, and the still, autumnal foliage. Houses, you know, stand all about our gardens: solid, steady blocks of houses; all look empty and asleep.

MONDAY NIGHT. - The drums and fifes up in the Castle are sounding the guard-call through the dark, and there is a great rattle of carriages without. I have had (I must tell you) my bed taken out of this room, so that I am alone in it with my books and two tables, and two chairs, and a coal-skuttle (or SCUTTLE) (?) and a DEBRIS of broken pipes in a corner, and my old school play-box, so full of papers and books that the lid will not shut down, standing reproachfully in the midst. There is something in it that is still a little gaunt and vacant; it needs a little populous disorder over it to give it the feel of homeliness, and perhaps a bit more furniture, just to take the edge off the sense of illimitable space, eternity, and a future state, and the like, that is brought home to one, even in this small attic, by the wide, empty floor.

You would require to know, what only I can ever know, many grim and many maudlin passages out of my past life to feel how great a change has been made for me by this past summer. Let me be ever so poor and thread-paper a soul, I am going to try for the best.

These good booksellers of mine have at last got a WERTHER without illustrations. I want you to like Charlotte. Werther himself has every feebleness and vice that could tend to make his suicide a most virtuous and commendable action; and yet I like Werther too - I don't know why, except that he has written the most delightful letters in the world. Note, by the way, the passage under date June 21st not far from the beginning; it finds a voice for a great deal of dumb, uneasy, pleasurable longing that we have all had, times without number. I looked that up the other day for ROADS, so I know the reference; but you will find it a garden of flowers from beginning to end. All through the passion keeps steadily rising, from the thunderstorm at the country-house - there was thunder in that story too - up to the last wild delirious interview; either Lotte was no good at all, or else Werther should have remained alive after that; either he knew his woman too well, or else he was precipitate. But an idiot like that is hopeless; and yet, he wasn't an idiot - I make reparation, and will offer eighteen pounds of best wax at his tomb. Poor devil! he was only the weakest - or, at least, a very weak strong man.

R. L. S.

Letter: TO MRS. SITWELL

17 HERIOT ROW, EDINBURGH, FRIDAY, SEPTEMBER 12, 1873.

. . . I WAS over last night, contrary to my own wish, in Leven, Fife; and this morning I had a conversation of which, I think, some account might interest you. I was up with a cousin who was fishing in a mill-lade, and a shower of rain drove me for shelter into a tumbledown steading attached to the mill.

Robert Louis Stevenson
Classic Literature Library

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