Think better of Otto, if my plea can influence you; and this I mean for your own sake - not his, poor fellow, as he will never learn your opinion; but for yours, because, as men go in this world (and women too), you will not go far wrong if you light upon so fine a fellow; and to light upon one and not perceive his merits is a calamity. In the flesh, of course, I mean; in the book the fault, of course, is with my stumbling pen. Seraphina made a mistake about her Otto; it begins to swim before me dimly that you may have some traits of Seraphina?

With true ingratitude you see me pitch upon your exception; but it is easier to defend oneself gracefully than to acknowledge praise. I am truly glad that you should like my books; for I think I see from what you write that you are a reader worth convincing. Your name, if I have properly deciphered it, suggests that you may be also something of my countrywoman; for it is hard to see where Monroe came from, if not from Scotland. I seem to have here a double claim on your good nature: being myself pure Scotch and having appreciated your letter, make up two undeniable merits which, perhaps, if it should be quite without trouble, you might reward with your photograph. - Yours truly,




MY DEAR MISS MONROE, - I am ill in bed and stupid, incoherently stupid; yet I have to answer your letter, and if the answer is incomprehensible you must forgive me. You say my letter caused you pleasure; I am sure, as it fell out, not near so much as yours has brought to me. The interest taken in an author is fragile: his next book, or your next year of culture, might see the interest frosted or outgrown; and himself, in spite of all, you might probably find the most distasteful person upon earth. My case is different. I have bad health, am often condemned to silence for days together - was so once for six weeks, so that my voice was awful to hear when I first used it, like the whisper of a shadow - have outlived all my chief pleasures, which were active and adventurous, and ran in the open air: and being a person who prefers life to art, and who knows it is a far finer thing to be in love, or to risk a danger, than to paint the finest picture or write the noblest book, I begin to regard what remains to me of my life as very shadowy. From a variety of reasons, I am ashamed to confess I was much in this humour when your letter came. I had a good many troubles; was regretting a high average of sins; had been recently reminded that I had outlived some friends, and wondering if I had not outlived some friendships; and had just, while boasting of better health, been struck down again by my haunting enemy, an enemy who was exciting at first, but has now, by the iteration of his strokes, become merely annoying and inexpressibly irksome. Can you fancy that to a person drawing towards the elderly this sort of conjunction of circumstances brings a rather aching sense of the past and the future? Well, it was just then that your letter and your photograph were brought to me in bed; and there came to me at once the most agreeable sense of triumph. My books were still young; my words had their good health and could go about the world and make themselves welcome; and even (in a shadowy and distant sense) make something in the nature of friends for the sheer hulk that stays at home and bites his pen over the manuscripts. It amused me very much to remember that I had been in Chicago, not so many years ago, in my proper person; where I had failed to awaken much remark, except from the ticket collector; and to think how much more gallant and persuasive were the fellows that I now send instead of me, and how these are welcome in that quarter to the sitter of Herr Platz, while their author was not very welcome even in the villainous restaurant where he tried to eat a meal and rather failed.

And this leads me directly to a confession. The photograph which shall accompany this is not chosen as the most like, but the best- looking.

Robert Louis Stevenson
Classic Literature Library

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