These are the times that illustrate to a man the inadequacy of spoken language. Now - to be just to written language - I can (or could) find a language for my every mood, but how could I TELL any one beforehand what this effect was to be, which it would take every art that I possessed, and hours and hours of deliberate labour and selection and rejection, to produce? These are the impossibilities of collaboration. Its immediate advantage is to focus two minds together on the stuff, and to produce in consequence an extraordinarily greater richness of purview, consideration, and invention. The hardest chapter of all was 'Cross Questions and Crooked Answers.' You would not believe what that cost us before it assumed the least unity and colour. Lloyd wrote it at least thrice, and I at least five times - this is from memory. And was that last chapter worth the trouble it cost? Alas, that I should ask the question! Two classes of men - the artist and the educationalist - are sworn, on soul and conscience, not to ask it. You get an ordinary, grinning, red-headed boy, and you have to educate him. Faith supports you; you give your valuable hours, the boy does not seem to profit, but that way your duty lies, for which you are paid, and you must persevere. Education has always seemed to me one of the few possible and dignified ways of life. A sailor, a shepherd, a schoolmaster - to a less degree, a soldier - and (I don't know why, upon my soul, except as a sort of schoolmaster's unofficial assistant, and a kind of acrobat in tights) an artist, almost exhaust the category.

If I had to begin again - I know not - SI JEUNESSE SAVAIT, SI VIEILLESSE POUVAIT . . . I know not at all - I believe I should try to honour Sex more religiously. The worst of our education is that Christianity does not recognise and hallow Sex. It looks askance at it, over its shoulder, oppressed as it is by reminiscences of hermits and Asiatic self-tortures. It is a terrible hiatus in our modern religions that they cannot see and make venerable that which they ought to see first and hallow most. Well, it is so; I cannot be wiser than my generation.

But no doubt there is something great in the half-success that has attended the effort of turning into an emotional religion, Bald Conduct, without any appeal, or almost none, to the figurative, mysterious, and constitutive facts of life. Not that conduct is not constitutive, but dear! it's dreary! On the whole, conduct is better dealt with on the cast-iron 'gentleman' and duty formula, with as little fervour and poetry as possible; stoical and short.

. . . There is a new something or other in the wind, which exercises me hugely: anarchy, - I mean, anarchism. People who (for pity's sake) commit dastardly murders very basely, die like saints, and leave beautiful letters behind 'em (did you see Vaillant to his daughter? it was the New Testament over again); people whose conduct is inexplicable to me, and yet their spiritual life higher than that of most. This is just what the early Christians must have seemed to the Romans. Is this, then, a new DRIVE among the monkeys? Mind you, Bob, if they go on being martyred a few years more, the gross, dull, not unkindly bourgeois may get tired or ashamed or afraid of going on martyring; and the anarchists come out at the top just like the early Christians. That is, of course, they will step into power as a PERSONNEL, but God knows what they may believe when they come to do so; it can't be stranger or more improbable than what Christianity had come to be by the same time.

Your letter was easily read, the pagination presented no difficulty, and I read it with much edification and gusto. To look back, and to stereotype one bygone humour - what a hopeless thing! The mind runs ever in a thousand eddies like a river between cliffs. You (the ego) are always spinning round in it, east, west, north, and south. You are twenty years old, and forty, and five, and the next moment you are freezing at an imaginary eighty; you are never the plain forty-four that you should be by dates.

Robert Louis Stevenson
Classic Literature Library

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