The book, in design, subject, and general execution, is well worth the extra trouble. And even if I were wrong in thinking it specially wanted, it will not be lost; for do we not know, in Flaubert's dread confession, that 'prose is never done'? What a medium to work in, for a man tired, perplexed among different aims and subjects, and spurred by the immediate need of 'siller'! However, it's mine for what it's worth; and it's one of yours, the devil take it; and you know, as well as Flaubert, and as well as me, that it is NEVER DONE; in other words, it is a torment of the pit, usually neglected by the bards who (lucky beggars!) approached the Styx in measure. I speak bitterly at the moment, having just detected in myself the last fatal symptom, three blank verses in succession - and I believe, God help me, a hemistich at the tail of them; hence I have deposed the labourer, come out of hell by my private trap, and now write to you from my little place in purgatory. But I prefer hell: would I could always dig in those red coals - or else be at sea in a schooner, bound for isles unvisited: to be on shore and not to work is emptiness - suicidal vacancy.
I was the more interested in your LIFE of your father, because I meditate one of mine, or rather of my family. I have no such materials as you, and (our objections already made) your attack fills me with despair; it is direct and elegant, and your style is always admirable to me - lenity, lucidity, usually a high strain of breeding, an elegance that has a pleasant air of the accidental. But beware of purple passages. I wonder if you think as well of your purple passages as I do of mine? I wonder if you think as ill of mine as I do of yours? I wonder; I can tell you at least what is wrong with yours - they are treated in the spirit of verse. The spirit - I don't mean the measure, I don't mean you fall into bastard cadences; what I mean is that they seem vacant and smoothed out, ironed, if you like. And in a style which (like yours) aims more and more successfully at the academic, one purple word is already much; three - a whole phrase - is inadmissible. Wed yourself to a clean austerity: that is your force. Wear a linen ephod, splendidly candid. Arrange its folds, but do not fasten it with any brooch. I swear to you, in your talking robes, there should be no patch of adornment; and where the subject forces, let it force you no further than it must; and be ready with a twinkle of your pleasantry. Yours is a fine tool, and I see so well how to hold it; I wonder if you see how to hold mine? But then I am to the neck in prose, and just now in the 'dark INTERSTYLAR cave,' all methods and effects wooing me, myself in the midst impotent to follow any. I look for dawn presently, and a full flowing river of expression, running whither it wills. But these useless seasons, above all, when a man MUST continue to spoil paper, are infinitely weary.
We are in our house after a fashion; without furniture, 'tis true, camping there, like the family after a sale. But the bailiff has not yet appeared; he will probably come after. The place is beautiful beyond dreams; some fifty miles of the Pacific spread in front; deep woods all round; a mountain making in the sky a profile of huge trees upon our left; about us, the little island of our clearing, studded with brave old gentlemen (or ladies, or 'the twa o' them') whom we have spared. It is a good place to be in; night and morning, we have Theodore Rousseaus (always a new one) hung to amuse us on the walls of the world; and the moon - this is our good season, we have a moon just now - makes the night a piece of heaven. It amazes me how people can live on in the dirty north; yet if you saw our rainy season (which is really a caulker for wind, wet, and darkness - howling showers, roaring winds, pit- blackness at noon) you might marvel how we could endure that. And we can't. But there's a winter everywhere; only ours is in the summer. Mark my words: there will be a winter in heaven - and in hell.