It was a thing he did always with affectation and display; generally with a good effect. But this tale, told in a high key in the midst of so great a tumult, and by a narrator who was one moment looking down at me from the skies and the next up from under the soles of my feet - this particular tale, I say, took hold upon me in a degree quite singular.
"My friend the count," it was thus that he began his story, "had for an enemy a certain German baron, a stranger in Rome. It matters not what was the ground of the count's enmity; but as he had a firm design to be revenged, and that with safety to himself, he kept it secret even from the baron. Indeed, that is the first principle of vengeance; and hatred betrayed is hatred impotent. The count was a man of a curious, searching mind; he had something of the artist; if anything fell for him to do, it must always be done with an exact perfection, not only as to the result, but in the very means and instruments, or he thought the thing miscarried. It chanced he was one day riding in the outer suburbs, when he came to a disused by-road branching off into the moor which lies about Rome. On the one hand was an ancient Roman tomb; on the other a deserted house in a garden of evergreen trees. This road brought him presently into a field of ruins, in the midst of which, in the side of a hill, he saw an open door, and, not far off, a single stunted pine no greater than a currant-bush. The place was desert and very secret; a voice spoke in the count's bosom that there was something here to his advantage. He tied his horse to the pine- tree, took his flint and steel in his hand to make a light, and entered into the hill. The doorway opened on a passage of old Roman masonry, which shortly after branched in two. The count took the turning to the right, and followed it, groping forward in the dark, till he was brought up by a kind of fence, about elbow-high, which extended quite across the passage. Sounding forward with his foot, he found an edge of polished stone, and then vacancy. All his curiosity was now awakened, and, getting some rotten sticks that lay about the floor, he made a fire. In front of him was a profound well; doubtless some neighbouring peasant had once used it for his water, and it was he that had set up the fence. A long while the count stood leaning on the rail and looking down into the pit. It was of Roman foundation, and, like all that nation set their hands to, built as for eternity; the sides were still straight, and the joints smooth; to a man who should fall in, no escape was possible. 'Now,' the count was thinking, 'a strong impulsion brought me to this place. What for? what have I gained? why should I be sent to gaze into this well?' when the rail of the fence gave suddenly under his weight, and he came within an ace of falling headlong in. Leaping back to save himself, he trod out the last flicker of his fire, which gave him thenceforward no more light, only an incommoding smoke. 'Was I sent here to my death?' says he, and shook from head to foot. And then a thought flashed in his mind. He crept forth on hands and knees to the brink of the pit, and felt above him in the air. The rail had been fast to a pair of uprights; it had only broken from the one, and still depended from the other. The count set it back again as he had found it, so that the place meant death to the first comer, and groped out of the catacomb like a sick man. The next day, riding in the Corso with the baron, he purposely betrayed a strong preoccupation. The other (as he had designed) inquired into the cause; and he, after some fencing, admitted that his spirits had been dashed by an unusual dream. This was calculated to draw on the baron - a superstitious man, who affected the scorn of superstition. Some rallying followed, and then the count, as if suddenly carried away, called on his friend to beware, for it was of him that he had dreamed. You know enough of human nature, my excellent Mackellar, to be certain of one thing: I mean that the baron did not rest till he had heard the dream.