The Merry Men

Page 02

A large part of the Ross is covered with big granite rocks, some of them larger than a two- roomed house, one beside another, with fern and deep heather in between them where the vipers breed. Anyway the wind was, it was always sea air, as salt as on a ship; the gulls were as free as moorfowl over all the Ross; and whenever the way rose a little, your eye would kindle with the brightness of the sea. From the very midst of the land, on a day of wind and a high spring, I have heard the Roost roaring, like a battle where it runs by Aros, and the great and fearful voices of the breakers that we call the Merry Men.

Aros itself - Aros Jay, I have heard the natives call it, and they say it means THE HOUSE OF GOD - Aros itself was not properly a piece of the Ross, nor was it quite an islet. It formed the south- west corner of the land, fitted close to it, and was in one place only separated from the coast by a little gut of the sea, not forty feet across the narrowest. When the tide was full, this was clear and still, like a pool on a land river; only there was a difference in the weeds and fishes, and the water itself was green instead of brown; but when the tide went out, in the bottom of the ebb, there was a day or two in every month when you could pass dryshod from Aros to the mainland. There was some good pasture, where my uncle fed the sheep he lived on; perhaps the feed was better because the ground rose higher on the islet than the main level of the Ross, but this I am not skilled enough to settle. The house was a good one for that country, two storeys high. It looked westward over a bay, with a pier hard by for a boat, and from the door you could watch the vapours blowing on Ben Kyaw.

On all this part of the coast, and especially near Aros, these great granite rocks that I have spoken of go down together in troops into the sea, like cattle on a summer's day. There they stand, for all the world like their neighbours ashore; only the salt water sobbing between them instead of the quiet earth, and clots of sea-pink blooming on their sides instead of heather; and the great sea conger to wreathe about the base of them instead of the poisonous viper of the land. On calm days you can go wandering between them in a boat for hours, echoes following you about the labyrinth; but when the sea is up, Heaven help the man that hears that cauldron boiling.

Off the south-west end of Aros these blocks are very many, and much greater in size. Indeed, they must grow monstrously bigger out to sea, for there must be ten sea miles of open water sown with them as thick as a country place with houses, some standing thirty feet above the tides, some covered, but all perilous to ships; so that on a clear, westerly blowing day, I have counted, from the top of Aros, the great rollers breaking white and heavy over as many as six-and-forty buried reefs. But it is nearer in shore that the danger is worst; for the tide, here running like a mill race, makes a long belt of broken water - a ROOST we call it - at the tail of the land. I have often been out there in a dead calm at the slack of the tide; and a strange place it is, with the sea swirling and combing up and boiling like the cauldrons of a linn, and now and again a little dancing mutter of sound as though the ROOST were talking to itself. But when the tide begins to run again, and above all in heavy weather, there is no man could take a boat within half a mile of it, nor a ship afloat that could either steer or live in such a place. You can hear the roaring of it six miles away. At the seaward end there comes the strongest of the bubble; and it's here that these big breakers dance together - the dance of death, it may be called - that have got the name, in these parts, of the Merry Men. I have heard it said that they run fifty feet high; but that must be the green water only, for the spray runs twice as high as that. Whether they got the name from their movements, which are swift and antic, or from the shouting they make about the turn of the tide, so that all Aros shakes with it, is more than I can tell.

Robert Louis Stevenson
Classic Literature Library

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