The Merry Men

Page 41

'What are you driving at?' the dealer asked.

'Not charitable?' returned the other, gloomily. Not charitable; not pious; not scrupulous; unloving, unbeloved; a hand to get money, a safe to keep it. Is that all? Dear God, man, is that all?'

'I will tell you what it is,' began the dealer, with some sharpness, and then broke off again into a chuckle. 'But I see this is a love match of yours, and you have been drinking the lady's health.'

'Ah!' cried Markheim, with a strange curiosity. 'Ah, have you been in love? Tell me about that.'

'I,' cried the dealer. 'I in love! I never had the time, nor have I the time to-day for all this nonsense. Will you take the glass?'

'Where is the hurry?' returned Markheim. 'It is very pleasant to stand here talking; and life is so short and insecure that I would not hurry away from any pleasure - no, not even from so mild a one as this. We should rather cling, cling to what little we can get, like a man at a cliff's edge. Every second is a cliff, if you think upon it - a cliff a mile high - high enough, if we fall, to dash us out of every feature of humanity. Hence it is best to talk pleasantly. Let us talk of each other: why should we wear this mask? Let us be confidential. Who knows, we might become friends?'

'I have just one word to say to you,' said the dealer. 'Either make your purchase, or walk out of my shop!'

'True true,' said Markheim. 'Enough, fooling. To business. Show me something else.'

The dealer stooped once more, this time to replace the glass upon the shelf, his thin blond hair falling over his eyes as he did so. Markheim moved a little nearer, with one hand in the pocket of his greatcoat; he drew himself up and filled his lungs; at the same time many different emotions were depicted together on his face - terror, horror, and resolve, fascination and a physical repulsion; and through a haggard lift of his upper lip, his teeth looked out.

'This, perhaps, may suit,' observed the dealer: and then, as he began to re-arise, Markheim bounded from behind upon his victim. The long, skewerlike dagger flashed and fell. The dealer struggled like a hen, striking his temple on the shelf, and then tumbled on the floor in a heap.

Time had some score of small voices in that shop, some stately and slow as was becoming to their great age; others garrulous and hurried. All these told out the seconds in an intricate, chorus of tickings. Then the passage of a lad's feet, heavily running on the pavement, broke in upon these smaller voices and startled Markheim into the consciousness of his surroundings. He looked about him awfully. The candle stood on the counter, its flame solemnly wagging in a draught; and by that inconsiderable movement, the whole room was filled with noiseless bustle and kept heaving like a sea: the tall shadows nodding, the gross blots of darkness swelling and dwindling as with respiration, the faces of the portraits and the china gods changing and wavering like images in water. The inner door stood ajar, and peered into that leaguer of shadows with a long slit of daylight like a pointing finger.

From these fear-stricken rovings, Markheim's eyes returned to the body of his victim, where it lay both humped and sprawling, incredibly small and strangely meaner than in life. In these poor, miserly clothes, in that ungainly attitude, the dealer lay like so much sawdust. Markheim had feared to see it, and, lo! it was nothing. And yet, as he gazed, this bundle of old clothes and pool of blood began to find eloquent voices. There it must lie; there was none to work the cunning hinges or direct the miracle of locomotion - there it must lie till it was found. Found! ay, and then? Then would this dead flesh lift up a cry that would ring over England, and fill the world with the echoes of pursuit. Ay, dead or not, this was still the enemy. 'Time was that when the brains were out,' he thought; and the first word struck into his mind. Time, now that the deed was accomplished - time, which had closed for the victim, had become instant and momentous for the slayer.

Robert Louis Stevenson
Classic Literature Library

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